The Cookie No One Wanted To Eat by Aanchal Bedi (Book Review: 4.5*/5) !!!

  

18^th Book of 2025

Children’s books often appear simple on the surface, but the best ones manage to carry messages that stay with readers long after the final page—sometimes even more so for adults than for children. The Cookie No One Wanted to Eat is one such book. It may be written for young readers, but its underlying message about self-worth, acceptance, and empathy feels relevant across age groups. The book is written by the authoress- Aanchal Bedi and beautifully illustrated by Mansi Dwivedi.

 

The story revolves around a freshly baked cookie that only wants to be loved and enjoyed. However, everyone who encounters it finds a reason not to accept it—too hot, too crunchy, too strong in flavour, or simply not to their liking. Through this repeated rejection, the cookie slowly begins to question its own worth. What works well here is how naturally the author mirrors a very human experience through a non-human character. The cookie’s confusion and disappointment feel familiar, even though the setting is playful and light-hearted.

 

The book uses rhyme effectively, making the narrative engaging and easy to read aloud. This rhythmic flow helps maintain a gentle pace, allowing children to stay attentive while absorbing the emotions embedded in the story. Without becoming heavy or preachy, the book subtly introduces the idea that not being accepted by everyone does not mean one lacks value. This is an important lesson, especially for children growing up in an environment where comparison and validation often begin early.

 

What I particularly liked is how the story does not rush towards its conclusion. The cookie’s emotional journey is given enough space to unfold, making the eventual realization feel earned rather than forced. When acceptance finally comes, it arrives not from those who initially rejected the cookie, but from those who truly needed it. This shift quietly reinforces the idea that belonging is not universal—it is personal.

 

The illustrations complement the narrative well, adding emotional depth without overpowering the text. The expressions, colours, and details help young readers connect with the cookie’s feelings, making the experience more immersive. Additionally, the activities, prompts and exercises at the end of the book are a thoughtful inclusion. They extend the story beyond reading, encouraging reflection, discussion, and emotional awareness—something parents and educators will appreciate.

 

Overall, The Cookie No One Wanted to Eat succeeds because it respects its young audience. It does not simplify emotions or offer unrealistic optimism. Instead, it acknowledges hurt, confusion, and rejection, while gently guiding readers towards self-acceptance and kindness. It is a book that can open meaningful conversations—about confidence, empathy, and the importance of being gentle with oneself.

 

This is a warm, thoughtful read that works equally well as a bedtime story or a classroom discussion starter. Sometimes, the simplest stories leave the deepest impressions, and this book is a good reminder of that. Overall, I give the book 4.5* out of 5. Get it for your younger ones!

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WRITING BUDDHA

The Legendary Diamantaire: The Life of Kirtilal K. Doshi by Bakhtiar K. Dadabhoy (Book Review: 4.25*/5) !!!

  

17th Book of 2025

Reading autobiographies and biographies has always been my biggest passion when it comes to reading, across all genres. Reading about individuals who have transformed entire scenarios with their vision, hard work, and attitude brings me a lot of confidence during tough situations in my own life as well. It becomes even more interesting and intriguing to read about personalities who have made an impact comparable to other inspirational figures but aren’t well-known due to limited media or PR coverage. One such biography that I read this week is “The Legendary Diamantaire”, written by Bakhtiar K. Dadabhoy, based on the life of Kirtilal K. Doshi.

 

The author very intelligently begins the book without directly diving into the birth details of the central figure. Instead, he starts by explaining how the diamond industry has functioned over centuries across the world and particularly in India. I liked how he described India’s prowess in this business and, more specifically, the unique contribution of the Palanpuri Jains. The way their skill set made even Austrians and other Europeans look towards Indians for their mastery in diamonds makes for a compelling opening to the book.

 

The author then moves into the life of Kirtilal’s father, Kalidas, who actually laid the foundation for the family. The journey of how he and his brother Shantilal started together under their father’s guidance is fascinating, as Kalidas himself emerges as an inspiring personality. Even in the early years, the family values come to the forefront—especially in the respectful and dignified manner in which the business was eventually divided between the two brothers. This explains why many family-run businesses in India have stood the test of time.

 

Gradually, the author introduces us to the pioneering journey of Kirtilal Doshi, detailing how he went on to build one of India’s most respected jewellery brands—Kirtilals, known for diamonds, gold, and fine craftsmanship—and how he played a crucial role in professionalizing and modernizing the Indian jewellery trade.

 

It is astonishing to learn how Kirtilal Doshi understood the power of branding and positioning a business during an era when formal marketing expertise was almost nonexistent. This speaks volumes about his mindset and business acumen. His contribution to the diamond industry, not just as a businessman but as a visionary, is remarkable—especially his role in shaping regulations, constitutions, institutions, SOPs, and ethical standards within the industry.

 

Similarly, the book highlights how his organization became the first to introduce several initiatives in the diamond industry—be it manufacturing advancements, branding strategies, or the use of laser technology for diamond shaping. These examples reflect the competitiveness and foresightedness that defined his leadership. The book clearly demonstrates how a family business can break traditional limitations and evolve into a global brand.

 

The final chapters shift focus from Kirtilal Doshi the businessman to Kirtilal Doshi the individual. The author provides insight into how influential personalities conduct themselves in their personal lives, with family and friends. His views on ethics in business make for an especially impactful chapter. Equally inspiring is his attitude during his later years, when his business faced difficult phases—rather than succumbing to despair, he supported his son by writing several motivational letters. His perspectives on marriage and the letter he wrote to his grandchildren about leading a balanced life after marriage further reflect his belief in maintaining a simple, peaceful, and healthy family life.

 

I could go on, but overall, this book is essential reading for students in business schools, professionals in corporate life, and even those who are retired. It teaches how an individual can pursue multiple roles in life, stay ahead of changing times, and yet not remain confined by traditional thinking. I would rate this 151-page book 4.25 stars out of 5.

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WRITING BUDDHA

 

The Renunciation by Pragya Agrawal (Book Review: 3.75*/5) !!!

  

16^th Book of 2025

Mythological retellings have become increasingly popular in recent years, but very few manage to strike a balance between reverence for the original text and a fresh, emotionally engaging perspective. The Renunciation by Pragya Agrawal succeeds in doing exactly that. Instead of retelling the Ramayana in its entirety, the book chooses to focus on one of its most painful yet profound chapters—Sita’s life after her exile, her motherhood, and her ultimate choice of dignity over belonging.

 

The story unfolds in the serene surroundings of Sage Valmiki’s hermitage, where Sita lives with her twin sons, Luv and Kush. Far removed from the grandeur of Ayodhya and the noise of royal expectations, this setting allows the reader to see Sita not as a divine symbol, but as a deeply human woman—one who loves fiercely, remembers painfully, and carries silence as both shield and strength. The author beautifully captures the emotional stillness of this phase of Sita’s life, making the forest almost a character in itself.

 

What stands out most in this retelling is the way Sita’s inner world is portrayed. Her suffering is not dramatized unnecessarily, nor is it reduced to victimhood. Instead, it is presented as lived experience—layered with love, disappointment, courage, and unwavering self-respect. The scenes between Sita and her sons are particularly touching. Her maternal instincts, her protectiveness, and her quiet fear of the truth one day surfacing are written with great sensitivity. These moments give the book its emotional core.

 

The narrative gains further depth when Valmiki teaches Luv and Kush to sing the Ramayana, unknowingly narrating the life story of their own parents. This irony is handled with subtlety, allowing readers to feel Sita’s internal conflict without overt exposition. The past, which she has carefully sealed away, slowly begins to resurface—forcing her to confront memories she never truly escaped.

 

What I appreciated most about The Renunciation is that it does not attempt to judge the epic or its characters. Lord Ram is not diminished, nor is Sita elevated through comparison. Instead, the book gently highlights the emotional gaps within the larger narrative—spaces where Sita’s voice was often unheard. Her final act of renunciation is portrayed not as defeat, but as a conscious, powerful choice—one rooted in self-worth and inner clarity. The few pages are very emotional and once the book ended, it wasn’t easy for me to keep it aside and forget. It took me lot of days to come in terms with it.

 

Talking about few drawbacks, I feel that the sections of the story have been over-described which makes it boring to read the complete sentences at times and you feel like skipping few lines because they don’t take the story further. Similarly, I feel that there is lot to Sita’s character which could have been explored but kept away from the scope of the book which makes the readers feel incompleteness to her complete journey.

 

Overall, The Renunciation is a thoughtful, emotionally resonant retelling that invites readers to pause and reflect. It is less about spectacle and more about silence, endurance, and the courage it takes to let go. For readers who enjoy mythology told through introspection rather than grandeur, this book is a rewarding and memorable read. I’ll give this book 3.75* out of 5.

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WRITING BUDDHA